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2020-05-30

May 2020, 1권 창간호

PDF Citation Special Communication
Bongryol Kim(Korea National University of Arts) (pp.5-6)
PDF Citation From the Editor
Jeongmu Yang(Korea National University of Arts) (pp.7-8)
PDF Citation Art Competitions in the Age of Postmodernism: From Immigrants to Transnational Artists
Kyunghee Pyun(Fashion Institute of Technology, State University of New York) (pp.9-28)
https://doi.org/10.20976/KAA.2020.1.001
PDF Citation Yi Sang à Paris: Art of Repetition and Improvisation in 2010 Paris/Seoul
Yoon Jeong Oh(New York University) (pp.29-54)
https://doi.org/10.20976/KAA.2020.1.002
PDF Citation Orientalism and the Fantasy of Brotherhood in South Korean Cinema’s North Korean Action Hero Films
Kelly Y. Jeong(University of California at Riverside) (pp.55-73)
https://doi.org/10.20976/KAA.2020.1.003
PDF Citation Identity, Minority, and the Idea of a Nation: a Closer Look at Frieda (1951) by Dr. Huyung
Umi Lestari(Universitas Multimedia Nusantara) (pp.74-94)
https://doi.org/10.20976/KAA.2020.1.004
PDF Citation What is the Socially Engaged Art Museum? Lessons from the Yangdeng Art Collective in China
Hai Ren(Sichuan Fine Arts Institute and University of Arizona) (pp.95-115)
https://doi.org/10.20976/KAA.2020.1.005
PDF Citation The Value of Korean Contemporary Performing Arts History
Bang-song Song(Korea National University of Arts) (pp.116-124)
PDF Citation Architects of the modern colonial city, Gyeongseong: Focusing more on their ‘lives’, not ‘achievements’
Yeonkyung Lee(Convergence Research Institute of Regional Humanities and Information) (pp.125-133)
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