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  • P-ISSN 2733-6123
  • E-ISSN 2799-3426

Evoking Kinesthetic Empathy: Legend Lin Dance Theatre and its Choreographic Motions

Evoking Kinesthetic Empathy: Legend Lin Dance Theatre and its Choreographic Motions

Journal of Korean and Asian Arts / Journal of Korean and Asian Arts, (P)2733-6123; (E)2799-3426
2022, v.4, pp.33-51
https://doi.org/10.20976/KAA.2022.4.002
Szu-Ching Chang (National Taiwan University of Sport)
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Abstract

Lee Chen Lin, the artistic director and founder of Legend Lin Dance Theatre in Taiwan, has created innovative works and toured in many international dance festivals. Lin’s “walking aesthetics” is the most significant feature in her choreographies. It signifies her conceptualization of the dancing body and her philosophy of life and human beings. This paper analyzes the choreographic approaches and strategies that characterize her first three works: Mirror of Life, Anthem to the Fading Flowers, and Song of Pensive Beholding. With the emphasis on a kinesthetic way to understand Lin’s Huan aesthetics, it focuses on how Lin’s works may awaken the audiences’ sensations by her various choreographic strategies. In conclusion, this paper suggests that Lee Chen Lin’s choreographic strategies involve managing ritual efficacy into liminal status, arranging physical encounters synchronically and diachronically, and interweaving various tribal elements into new interpretations. Through the kinesthetic empathy, the audiences are likely to feel and resonate with all moving bodies involved in Lin’s performances. This experience may pave the way for development of reflective insights and enables the unison of one’s sensations and awareness to appreciate these extremely beautiful dance works.

keywords
Legend Lin Dance Theatre, Huan Walking, Sensations, Ritual Theater, Kinesthetic Empathy


투고일Submission Date
2022-02-27
수정일Revised Date
게재확정일Accepted Date
2022-04-08
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Journal of Korean and Asian Arts