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Study on the Poetic Consciousness in Lee, Hanjik's poetry
Korean Studies Quarterly / Korean Studies Quarterly, (P)2671-8197; (E)2733-936X
2008, v.31 no.2, pp.223-243
https://doi.org/10.25024/ksq.31.2.200806.223
KangYoungMi,
(2008). Study on the Poetic Consciousness in Lee, Hanjik's poetry. Korean Studies Quarterly, 31(2), 223-243, https://doi.org/10.25024/ksq.31.2.200806.223
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Abstract
Lee, Hanjik was born in a pro-Japanese official and educated in Japanese in colonial days. He wrote a poem in Korean and published it in Moonjang which played a key role of Korean Literature in the last colonial period. For him, Japanese means Father symbolizing the realities of colonial days, the outside world and Japanese ruling logic. Korean , by contrast, means for him Mother standing for the land of Joseon, the inner world and the sprit against the reality. Lee, Hanjik displayed criticism against his life protected with too much his father's care dreaming of another world of the mind. After liberation, his father's death led Lee, Hanjik to beginning to develop into the modernized subject freeing himself from narrow self-consciousness. That is his weak narrow self-consciousness living in seclusion changed into the modernized subject taking an unyielding stand on the barren realities after liberation. Lee, Hanjik wrote poems under the negative spirit against the realities in order to criticize for the post-war realities withering up life as well as for ancestors, his family line and the realities of colonial days. We can feel his deep distress, reflection, and frustration precipitated in his poems. From this, we can read his earnest wishes that lyricism and poets could exist in the realities.
- keywords
- 이한직(Lee Hanjik), 문장(Moonjang), 조선어(Korean language), 부정정신(negative spirit), 근대적 주체(the modernized subject)
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