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Proper Norm of Artistic Imitation in Choe Jeon’s A Chant for Gyeongpo Scenery (題鏡浦)
Korean Studies Quarterly / Korean Studies Quarterly, (P)2671-8197; (E)2733-936X
2018, v.41 no.4, pp.135-157
https://doi.org/10.25024/ksq.41.4.201812.135
Kim,,
T.
(2018). Proper Norm of Artistic Imitation in Choe Jeon’s A Chant for Gyeongpo Scenery (題鏡浦). Korean Studies Quarterly, 41(4), 135-157, https://doi.org/10.25024/ksq.41.4.201812.135
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Abstract
Imitation seems to have a reason to be allowed leniently to everyone, although it may produce the stigma of slavish copying. That reason may be that people naturally seek to perfect artistic expression. In fact, most literary works that we cite as famous and memorize phrases were generated through continuous efforts of artistic elevation, undergoing numerous rounds of imitations and innovations. This said, it is rather worrisome, if one refuses to recognize or completely ignores the artistic meaning of collective creative activities based on imitation. Here lies the fault of Lee Ik’s criticism of Choe Jeon’s A Chant for Gyeongpo Scenery, calling it plagiarism. Choe Jeon learned about poetic language and imagery from the works of We Ya, which inherited Ga do, Bae Jeok, and Son Gwangheon. He also learned from the works by Yu Jongwon, which inherited the styles of Do Jam, Jeon Ki, and Wi Eungmul. But in the end, he managed to develop a poetic style of his own. What was quite unique about him was his personal style and dignity as a poet. He escaped singularly from the crowd of people who lived their lives without knowing what the worlds of wind and dust meant, and wandered around freely spanning thousands of years, unbound by time and space. Therefore, his poetic language and imagery became a true symbol of perfect imitation, earning praise across all generations. The decisive reason for the acclaim of his work was his personal style and class as a poet.
- keywords
- 모방의 규범(proper norm of artistic imitation), 점화(artistic development), 고유성(uniqueness), 자발성(spontaneity), 시인의 품격(personal style as a poet)
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