- P-ISSN 2733-6123
- E-ISSN 2799-3426
Journal of Korean and Asian Arts
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- P-ISSN2733-6123
- E-ISSN2799-3426
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Triadic Transformations in the Music of Cesar Franck: Analysis of Piano Solo Prelude, Aria et Final
Triadic Transformations in the Music of Cesar Franck: Analysis of Piano Solo Prelude, Aria et Final
Journal of Korean and Asian Arts / Journal of Korean and Asian Arts, (P)2733-6123; (E)2799-3426
2024, v.8, pp.29-44
https://doi.org/10.20976/KAA.2024.8.002
(Capital Normal University)
Wang,
J.
(2024). Triadic Transformations in the Music of Cesar Franck: Analysis of Piano Solo Prelude, Aria et Final. Journal of Korean and Asian Arts, 8, 29-44, https://doi.org/10.20976/KAA.2024.8.002
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Abstract
The Neo-Riemannian theory is not only suitable for analyzing music with the ambiguity of harmonic functions in later Romanticism but also finds relevance between chords in the 20th century focused on the atonal music analysis. This paper employs the Neo-Riemannian theory to the last piano solo by César Franck based on the basic triadic transformations of P-relation, R-relation, and L-relation, as well as N-relation, H-relation, and S-relation, which are of integrated relations of transformations. At the same time, the symmetry and distance relationships of the triads can also be intuitively seen in the tonnetz model, which reflects Franck’s tonality and personalized creation of using triads. Importantly, this analysis provides a theoretical basis for a comprehensive understanding of Franck.
- keywords
- César Franck, Prélude Aria et Final, Neo-Riemannian, Romanticism, Music Analysis
- 투고일Submission Date
- 2023-12-28
- 수정일Revised Date
- 게재확정일Accepted Date
- 2024-04-08
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