Abstract

In our literary history, basic conditions of modern literature were concreted in the early 1920’s. Nevertheless, most literary history which contemplated the early 1920’s with the trend of literature, reviewed that time’s poems were ideological. But a hard fixed view of ‘the quality of literature’ which lately organized according to reasonable request, may be an obstacle to appreciate the early 1920’s poetry. If we investigate epistemological constituency on the same horizon with a sense of discrimination, the ideological representation which was understood rhetoric of sentimental and decadent, would be produced new analytic results. It is important that their’s particular experience and inner agony expressed in ideological language, such as ‘death’ ‘dream’ ‘truth.’ Representation of inner agony is a special and distinctive quality which differentiate modern aesthetic with literature of enlightenment. Above all positive consideration obtains universal appropriateness on how used ideological language such as ‘death’ ‘dream’ ‘truth’ in the early 1920’s. We know that ideological language, such as ‘death’ ‘dream’ ‘truth’ are not imitate ideology which previously existed. This ideological language represented individual emotion and ideal such as eternity, romantic passion and awakening of truth which would be extinguished in the inside of an individuality. To tell the truth, ideological language was epistemological results and particular internal experience was represented with ideological language. This article was intended to look around representation of an idea in the early 1920’s poetry and it’s appearance.