Up to the present, the writings of Shin Chae-ho (1880-1936) have been evaluated by dualism. His historical writings, often recognized as the symbol of national identity and the spirit of independence, have been hailed for their contribution to the anti-Japanese movement during the colonial period (1910- 1945), whereas his literary works received aesthetically low appreciation due to their political aspects, that is, their use of narrative as a tool for promoting national identity. This dualism, however, provides an important reason for revisiting Shin’s literary writings; they contain important clues to understanding his historical perspectives, which are singular in the formation of religious and spiritual nationalism before and during the colonial period. Beyond a dichotomy of literature and history, this paper aims to examine the comprehensive structure between narrative and ideology where the discourse of the people forms that of national characteristics. Through a close reading of Shin’s fiction, “The Dream Heaven” (Kkum Haneul), I will explore the images of national heroes in their connection with the historical formation of the concept of new people in the discourse of the invented tradition.
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(1972) Legends and History of the Three Kindoms ofAncient Korea originally published in 1281-1283, Yonsei University Press
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(1973) A Small Record about Raising Flowers,
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(1975) originally published in 1900, Shin Chae-ho
(1966) originally written in 1916 A Hot Fight between a Dragon and a Dragon,
(1909) A Discussion of a Faithful Retainer,
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(1984) A Study on ShinChae-ho’s Social Ideologies, Shinchaehoui sahoe sasang yeongu
(1996) Global Space and the Nationalist Discourse of Modernity: The Historical Thinking of Liang Qichao, Stanford: Stanford University Press
(1973) The Historical Imagination in Nineteenth-Century Europe, The Johns Hopkins University Press
The Dream Heaven,
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