ISSN : 2950-869X
Background: With the development and changes in the society, along with the emergence of environmental and ecological issues, people begin to think about the relationship between man and nature. Designers draw inspiration from the innate wisdom of nature, absorb the beauty and striking impact of natural biomorphisms, while excavating the distinctive characteristics of organisms in terms of form, color, texture and pattern. Purpose：This paper explores the integration of morphology bionics with garment design to create more vibrant designs that align with consumer’s desire to incorporate elements of nature into their clothing for comfort. It examines the characteristics of biomorphic forms, design language, and expression, and outlines the methods for applying these principles to garment design. Methods: Using the literature research method, case study method, literature and picture analysis method, and inductive summary method, we summarize the expression of morpho-mimicry in apparel design by sorting out the theory of morpho-mimicry and apparel design and analyzing the brand show releases that are inspired by morpho-mimicry. Results: Natural life forms are an inexhaustible source of design innovation. Based on the diversity of life forms in nature for clothing design open up more ideas, to promote the harmonious development between man and nature, the development of the clothing industry has a certain role in promoting, and at the same time demand people to protect the earth's ecological environment. Conclusion: Because of its flexible design and mobility, the integration of morphology bionic and clothing, can vividly reflect the biological forms in nature, so giving the clothing the meaning of natural life and aesthetic characteristics, and at the same time help to promote the harmonious symbiotic relationship between man and nature. Combining biomimicry with clothes provides more options and a new design space and orientation for the innovation and development of clothing design.
Background: Academia has recently shown significant interest in the scientific organization of vast amounts of data related to outstanding cultural heritage using biological research methods. This study explores the topic of gene identification and atlas compilation of traditional Minnan temple murals. Purpose: This study aims to utilize gene identification technology to extract the core elemental factors of traditional Minnan temple murals. The research has developed a specialized talent cultivation system and has constructed a comprehensive gene map of Minnan temple murals. This has resulted in the creation of a systematic, convenient, and visualized database that scholars can use to study the art of Minnan temple murals. Methods: The paper employs the Analytic Hierarchy Process (AHP) to create chord diagrams for the relative weight analysis of core elements in Minnan temple murals. Gene identification techniques are then used to extract four core elements, laying the foundation for constructing a gene map of Minnan temple murals. Results: Compared to traditional data collection methods, gene identification technology offers a broader application range and higher accuracy in information collection. The gene map is more scientifically advanced and convenient than common databases, enabling researchers to efficiently access the needed information. Conclusion: The construction of the gene map for traditional Minnan temple murals provides extensive data support for historians, mural artists, and researchers of Minnan culture.
Background: Modern life has inclined a lot of people towards laziness. With the presence of several unreasonable requirements there is a growing realization of this issue in the field of design. The smart home product industry has been promoted by continuous technological iteration and rapid development due to the continuous popularity of the "Lazy Economy". Purpose：The improvement of people's lives and their consumption levels has led to the increasing attention on issues such as green ecological civilization, sustainable development, and rational resource use. Some cities in China have implemented mandatory garbage sorting policies, enhancing residents' environmental awareness and promoting the sustainable development of modern cities. Methods: This study will focus on designing environmentally-friendly smart homes with sustainable features and creating a smart trash can to improve the efficiency of home cleaning for residents. Conduct a comprehensive study on different smart homes available in the market and carry out innovative designs. Results: The product's people-finding function changes the conventional practice of having garbage cans positioned in each area of the house, and ultimately provides a more convenient and intelligent solution for household garbage sorting and environmental protection. Conclusion: The research on the design of smart person finder classified trash can, mainly solves the following issues: 1. To enable the users to locate the trash can using voice commands or mobile phone application when they are unable to physically move or quickly locate the trash can. 2. Improve the efficiency of garbage segragation, so that the trash can can identify and classify different categories of wastes. 3. Reduce the number of trash bins allocated in the home. 4. Integrate an automated sweeping robot at the bottom of the smart trash can to clean while it is in motion. 5. Cultivate users' good waste segration practices that will relieve the burden of community in waste management, and promote sustainable urban development.
Background: As society ages, the number of elderly people in China increases, resulting in an increasing demand for elderly products in the market. Additionally, the emotional needs of elderly people are becoming more essential. Traditional family structures and social support are insufficient to meet all their needs, especially when it comes to emotional connection. Objective: Considering the frequent experience of loneliness, and fear of electronic devices among the elderly, as well as the need for emotional integration between the elderly and younger generations, designing a multi-functional and easy to use emotional experience product for the elderly may be very useful in addressing these issues. Methods: The product design of emotional experience for the elderly should fully consider the special needs of the elderly, including ease of use, entertainment, practicality and so on. The design should adopt a simple and intuitive appearance, large buttons and easy-to-operate controls, voice and touch interaction methods, and provide remote communication and reminder functions. Ensure that the elderly can easily use the product and have a positive emotional experience from it. In addition, entertainment elements can also be incorporated, such as radio, playing music and other functionalities. Results: Through the above measures, the elderly companion machine can serve multiple functions, effectively alleviating the loneliness experience by elderly individuals. Furthermore, it provide convenience and warmth, making it a good companion for the elderly. Conclusions: 1. The market for products targeting the elderly is in the stage of rapid growth, with broad development prospects and huge market potential. 2. Research on emotional companion machines for the elderly has important social significance and application value. 3. Through the realization of technology and the exploration of application scenarios, we can provide more comprehensive and personalized emotional companionship services for the elderly to improve their quality of life and happiness. 4. At the same time, it is important to address additional issues arising from technological advancements to ensure that the research and development and application of emotional companionship machines can truly benefit the elderly and promote their well-being.
Background: In recent years, under the trend of China's rapid development of domestic tourism and the recovery of national consumption, Quanzhou leveraged the "World Cultural Heritage" to build up its brand image. Thus, the number of tourists increased significantly from the year 2021 to 2024. In 2024, the city received a total of 818.12 million tourists during the Spring Festival holiday, of which Xunpu Village received 361,000, while Xunpu Village received 361,000 tourists, a year-on-year increase of 600%. The fast-growing tourist audience group puts forward new challenges for the brand transformation and dissemination of the culture of Xunpu. Purpose: This study is dedicated to examine the value of Xunpu Women’s Folk Culture in brand image design through specific analysis of Quanzhou folk culture. To explore the cultural and tourism policies, and industry trends, focusing on the artistic characteristics of Xunpu women's Head-pinned flowers and peripatetic headdresses, residential "Oyster Shell Houses", and habits of life, in order to develop a path to combine Xunpu women's culture and the current brand image. Methods: Qualitative induction, field study and literature analysis are used to analyze the role played by the brand image of Xunpu women in the transformation of local cultural resources. Results: The article systematically proposes that intangible cultural heritage has evolved into a crucial cultural capital, and the image of Xunpu women, as a carrier of Quanzhou's local culture. It is an important link in achieving the resource transformation of Quanzhou's local intangible cultural heritage. Conclusion: To create a unique brand image of the region, which not only helps to highlight the influence of the culture of Xunpu women, but also deepens the cognition, better disseminates the local culture, strengthens the concept of protection and inheritance of the cultural spirit. Thus, skillfully integrates the culture of Xunpu women into the brand image to become an important initiative, and promote the local culture's development and inheritance in modern society.
Background: With the rapid development of digital technology, the expression of art is undergoing new changes. The continuous iteration and popularization of smart phones have made the traditional forms of display and communication insufficient to meet the spiritual needs of modern people in depth and breadth. Objective: This study aims to systematically examine the manifestations of digital interactive art through an in-depth analysis of cultural tourism policies, artistic expression methods, and industry trends, focusing on its functions and classifications, in order to foresee the future development direction of digital interactive art. Methods: This study adopts case analysis, literature review, and interdisciplinary approaches to analyze the role and influence of digital interactive art in artistic expression. Results: Digital interactive art provides a novel experience for understanding and experiencing artworks, aiming to maximize audience engagement and emotional resonance. Conclusion: The combination of art and technology has not only created new forms of expression but also profoundly influenced the audience's artistic experience and promoted the progress of social culture. As interactive installations, virtual reality (VR), augmented reality (AR), digital projection art, artificial intelligence (AI), and other technologies continue to integrate, focusing on sustainable energy use and interdisciplinary collaboration is crucial. This fusion of technology and art will bring revolutionary changes in the art field and play a vital role in education and cultural heritage.
Background: This paper examines how oral tradition has been instrumental in creating, documenting and transforming African indigenous musical cultures. This is important as they act as vital conduits through which musical practices are passed on from one generation to the other, enabling survival consistent with preserving numerous ethnic musical traditions from external pressure and modern challenges. Objective: This study sought to map out how oral tradition affects the continuation and evolution of Indigenous musical practice in Africa, not only for its positive prospects for creativity but also for the difficulties it has ever faced in the present world. Methods: Based on the above themes, a systematic literature review was conducted with particular emphasis on those examining oral transmission of African Indigenous musical practices. The functions, challenges, and adaptation of oral traditions in musical practices were gathered by synthesising findings from oral traditions sources across the different African communities. Results: The review showed that oral tradition is vital in preserving and transforming indigenous musical practices. It enables the retention of cultural identity while creating new music styles and, at the same time, facilitates the production of new musical forms. However, there are challenges, such as the disappearance of traditional forms, vulnerability to distortion, and finally, there is no standard notation. In light of these challenges, this paper proposes potential solutions – integrating written and oral methods ensures that music is preserved more accurately and readily available. Conclusion: Oral tradition plays the critical role of preserving Indigenous musical practices among African people up to date, though modern development complicates its effectiveness. New technologies and the combination of the oral/written modality could help to overcome these difficulties and ensure the continuation and evolution of Indigenous music for future generations. Further studies should be directed to the differences between the regions, the influence of modernity, and the importance of technologies for maintaining these traditions.
Background: Applied ethnomusicologists wield potential to champion the promotion of Indigenous music by maintaining a sustained collaborative effort. The provision of traditional mbira, marimba music and dance to local Zimbabwean children who have not experienced the music of their forefathers is a worthwhile cultural restoration and enculturation undertaking that is lacking in many indigenous communities. Purpose: This paper provides insights into such work being done at the Cosmas Magaya Humwe Cultural Arts and Education Centre in Mhondoro, Mashonaland West Province, in Zimbabwe where children receive cultural music instruction. Methods: Using the case study and ethnographic method, I present a descriptive analysis of the Humwe camp. A purposively selected sample of participants validated the activities. Results: Learners who participated in the Humwe Camp and Festival got the opportunity to learn and showcase mbira and marimba music and dance from their own culture. This experience brought an insatiable hunger to understand traditional musical cultural practices through participation. Children learned the music primarily by ear, using their local language for instruction. The Zimbabwean music educators who worked with them appreciated the availability of such an opportunity to disseminate indigenous music amongst their own people. Children led each other in the marimba and mbira ensembles, displaying mastery of knowledge and skills attained after three weeks packed with numerous activities. Conclusion: Because of its emphasis on collaboration, the Humwe concept can effectively disseminate and promote Indigenous knowledge amongst the young generation. Applied ethnomusicologists should regularly interact through such collaboration, sharing content for the success of multicultural instruction in general music.