바로가기메뉴

본문 바로가기 주메뉴 바로가기

logo

  • P-ISSN0023-3900
  • E-ISSN2733-9343
  • A&HCI, SCOPUS, KCI

ISSN : 0023-3900

Article Contents

Next
e-Submission

Vol.53 No.4

Citation Share

Manufacturing Creativity: Production, Performance, and Dissemination of K-pop

Korea Journal / Korea Journal, (P)0023-3900; (E)2733-9343
2013, v.53 no.4, pp.14-33
https://doi.org/10.25024/kj.2013.53.4.14

(2013). Manufacturing Creativity: Production, Performance, and Dissemination of K-pop. Korea Journal, 53(4), 14-33, https://doi.org/10.25024/kj.2013.53.4.14

Abstract

The rise of K-pop (Korean pop) as a new global music genre has wrought theoretical turmoil within the field of cultural studies. This article argues that the global ascendance of K-pop can primarily be attributed to the passionate support of inter-Asian audiences. However, the actual production, performance, and dissemination of K-pop contents have little to do with the Asian pop-culture system. Although the manufacture of K-pop music and its performers depends on Korean talent and management, K-pop producers tend to rely heavily on the global music industries of North America and Europe for their creative content. The global dissemination of K-pop would not have been possible without global social network service (SNS) sites such as YouTube, Facebook, and Twitter—none of which are owned or operated by Asians. This article argues that the manufacturing of creativity in non-Western music, as illustrated by the case of Hallyu, involves three stages: globalization of creativity, localization of musical contents and performers, and global dissemination of the musical contents through social media.

keywords
K-pop (Korean pop), Hallyu, creativity, music industry, globalization, localization, social network service (SNS) sites

Reference

1.

Chua, Beng Huat. 2004. “Conceptualizing an East Asian Popular Culture.” Inter-Asia Cultural Studies 5.2: 200-221.

2.

Chua, Beng Huat. 2012. Structure, Audience and Soft Power in East Asian Pop Culture. Hong Kong: Hong Kong University Press.

3.

Crossan, Mary M., Henry W. Lane, and Roderick E. White. 1999. “An Organizational Learning Framework: From Intuition to Institution.” Academy of Management Review 24.3: 522-537.

4.

Csikszentmihalyi, Mihaly. 1996. Creativity: Flow and the Psychology of Discovery and Invention. New York: Harper Collins.

5.

DiMaggio, Paul J., and Walter W. Powell. 1983. “The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields.” American Sociological Review 48.2: 147-160.

6.

Elberse, Anita. 2009. “Bye Bye Bundles: The Unbundling of Music in Digital Channels.” Journal of Marketing 74.3: 107-123.

7.

Hankyoreh. 2011. “Aidol yukseong siseutem idaero joeunga” (Is the Idol Training System Acceptable as It Is?). June 18, 2011.

8.

Hirata, Yukie. 2008. “Touring ‘Dramatic Korea’: Japanese Women as Viewers of Hallyu Dramas and Tourists on Hallyu Tours.” In East Asian Pop Culture: Analyzing the Korean Wave, edited by Beng Huat Chua and Koichi Iwabuchi, 143-155. Hong Kong: Hong Kong University Press.

9.

Hilderbrand, Lucas. 2007. “YouTube: Where Cultural Memory and Copyright Converge.” Film Quarterly 61.1: 48-57.

10.

Huston, Larry, and Nabil Sakkab. 2006. “Connect and Develop: Inside Procter and Gamble’s New Model for Innovation.” Harvard Business Review 84.3: 1-9.

11.

Iwabuchi, Koichi. 2004. “When the Korean Wave Meets Resident Koreans in Japan: Intersections of the Transnational, the Postcolonial and the Multicultural.” In East Asian Pop Culture: Analyzing the Korean Wave, edited by Beng Huat Chua and Koichi Iwabuchi, 243-264. Hong Kong: Hong Kong University Press.

12.

Iwabuchi, Koichi. Forthcoming. “Korean Wave as Method Advancing the Studies of East Asian Media Culture Connections.” In The Korean Wave (Hallyu), South Korea Popular Culture, edited by John Lie. New York: Palgrave.

13.

Jung, Sun. 2011. Korean Masculinities and Transnational Consumption: Yonsama, Rain, Oldboy, K-pop Idols. Hong Kong: Hong Kong University Press.

14.

Lie, John. 2012. “What Is the K in K-pop? South Korean Popular Music, the Culture Industry, and National Identity.” Korea Observer 43.3: 339-363.

15.

Maliangkay, Roald. 2010. “Keep Your Enemies Closer: Protecting Korea’s Pop Culture in China.” Korean Histories 2.1: 34-44.

16.

Mangold, W. Glynn, and David Faulds. 2009. “Social Media: The New Hybrid Element of the Promotion Mix.” Business Horizons 52.4: 357-365.

17.

Nonaka, Ikujiro, and Hirotaka Takeuchi. 1995. The Knowledge Creating Company. Oxford: Oxford University Press.

18.

Nonaka, Ikujiro, and Noboru Konno. 2003. Chishiki sozo no hohoron: narejji waka no saho 知識創造の方法論: ナレッジワーカーの作法 (The Methodology of Knowledge: The Creativity of Knowledge Workers). Tokyo: Tokyo Keizai Shinposha.

19.

Nooteboom, Bart. 2000. Learning and Innovation in Organizations and Economies. Oxford: Oxford University Press.

20.

Oh, Ingyu. 2009. “Hallyu: The Rise of Transnational Cultural Consumers in China and Japan.” Korea Observer 40.3: 425-459.

21.

Oh, Ingyu, and Gil-Sung Park. 2012. “From B2C to B2B: Selling Korean Pop Music in the Age of New Social Media.” Korea Observer 43.3: 365-397.

22.

Park, So-ra. 2006. “Munhwajeok harin gwanjeom-eseo bon hallyu-wa junggugin-ui hanguk deurama sobi” (Consumption of Korean Dramas by Chinese and Korean Audiences in Aspect of Cultural Discount). In Jungguk-ui hallyu, eotteoke ihaehal geosinga (How Should We Understand Hallyu in China?), edited by Jang Soo-Hyun, 253-272. Seoul: Hakkobang.

23.

Ryoo, Woongjae. 2009. “Globalization, or the Logic of Cultural Hybridization: The Case of the Korean Wave.” Asian Journal of Communication 19.2: 137-151.

24.

Schumpeter, Joseph. 1962. Capitalism, Socialism and Democracy. New York: Harper and Row.

25.

Shim, Doo Bo. 2011. “Waxing the Korean Wave.” Asia Research Institute Working Paper Series No. 158. http://www.ari.nus.edu.sg/docs/wps/wps11_158.pdf.

26.

Shin, Hyunjoon. 2009. “Have You Ever Seen the Rain? And Who’ll Stop the Rain?: The Globalizing Project of Korean Pop (K‐Pop).” Inter‐Asia Cultural Studies 10.4: 507-523.

27.

Siriyuvasak, Ubonrat, and Hyunjoon Shin. 2007. “Asianizing K‐Pop: Production, Consumption and Identification Patterns among Thai Youth.” Inter‐Asia Cultural Studies 8.1: 109-136.

28.

Yoo, Jae Hyuk. 2013. “Ilbon eumak sijang mannyeon 2 wi?: segye choedae migukgwa daedeunghaejyeo” (Is the Japanese Music Market Always Second Place?: It’s Now Similar in Size to That of the World’s Largest, the United States). Korea Economic Daily, April 17, 2013. http://www.hankyung.com/news/app/newsview.php?aid=2013041740751.

Korea Journal

e-Submission OA Policy