Abstract

The late 19th century marked a significant period in Korea’s history, when it established formal diplomatic relations with the outside world. Goryeo celadon began appearing in the context of diplomatic and other exchanges in the 19th century. These celadon pieces were exquisite and often of the highest quality. There are also cases of foreign diplomats collecting Goryeo celadon. British consul William Carles, French consul Victor Collin de Plancy, and American consul Horace Allen played prominent roles in collecting, selling, and donating Goryeo celadon. In the complex landscape of East Asian diplomacy, ceramics occasionally played a role in exchanges between China, Japan, and Southeast Asian regions. Overall, this phenomenon can be attributed to the changing economic and cultural value of Goryeo celadon, particularly during the late 19th century. However, the inclusion of Goryeo celadon in diplomatic contexts or as prominent diplomatic gifts was also closely related to the changing perception of Goryeo celadon within Korea, as it began to be viewed from a more externalized perspective. Moreover, as foreign interest in Korean (Joseon) culture expanded into a range of ethnographic studies, Goryeo celadon came to be recognized as an artistic product that demonstrated the cultural competence of the nation. Simultaneously, Goryeo celadon took on the role of a diplomatic medium, symbolically representing Korea’s heritage on a national level.