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Watt, (1957) The Rise of the Novel Studies in Defoe University of California Press,
Moretti, Franco, (1998) Atlas of the Modern European Novel, 1800-1900, Verso: London
Mary N, (1990) Travels of a Genre, Princeton University Press Princeton
Schwarz, (1992) The Importing of the Novel to Brazil Essays on Brazilian Culture edited by Robert Schwarz and John Gledson,
McDougall, (19771977) The Impact of Western Literary Trends In Modern Chinese Literature in the May Fourth Era edited by Merle Goldman, Harvard University Press
(1985) The Novel and Society in India, Oxford University Press
Kobayashi, (1968) In vol 3 of Kobayashi Hideo zenshu, Shinchosha
Cohen, Margaret, (2002) The Literary Channel: The InternationalInvention of the Nove, Princeton: Princeton University Press: Princeton
Kim Tae-jun, (1931) History of Korean Novels,
Yi Gwang-su, (2003) Mujeong, Munhak dongne, 668
In Soseiki-ron shusei, (1992) soseki to janru,
Anderson, (1983) Reflections on the Origin and Spread of Nationalism,
Kimura, Naoe, (1998) Seinen no tanjo, Shinyosha
Yi, (1910) Joseon saram in cheongnyeon deul ege,
Bak, (19921992) Study of Korean Political Thoughts,
Moses, Michael Valdez, (1995) The Novel and the Globalization of Culture, Oxford University Press
Hatano, Setsuko, (1995) yonche, soniyon, samnangjin: mujo no genkyu ,
Said, (1993) Culture and Imperialism, Norton
&fnote; Ian Watt, (1957) The Rise of the Novel Studies in Defoe University of California Press,
Franco Moretti, (1998) Atlas of the Modern European Novel, 1800-1900, Verso: London
Mary N, (1990) Travels of a Genre, Princeton University Press Princeton
Roberto Schwarz, (1992) The Importing of the Novel to Brazil,
Bonnie S, (1977) The Impact of Western Literary Trends Modern Chinese Literature in the May Fourth Era, Harvard University Press
(1985) The Novel and Society in India, Oxford University Press
Kobayashi Hideo zenshu 3, (shishosetsu-ron[1935]19681968) This can be illustrated by some of the most important pieces of Japanese literary criticism such as Kobayashi Hideos work on shishsetsu and Nakamura Mitsuo’s critique of Japanese novels of manners, Shinchosha fzoku shsetsu-ron[1950]
Margaret Cohen, (2002) The Literary Channel: The InternationalInvention of the Novel, University Press: Princeton
Yi Gwangsu, (2003) Mujeong, Munhak dongne,
Daisan bunmei sha, (1992) soseki to janru,
Verso, (198319941800-1900) For the discussion of the relationship between nation and the novel see Benedict Anderson Reflections on the Origin and Spread of Nationalism 97; Atlas of the European Novel,
Hong Myeonghui, (1996) Dae tolstoi ui inmul gwa jakpum, Byeokcho hong myeonghui wa imkokjeong ui yeongu jaryo, Sagyeojeol
The rhetoric of the enlightenment combined with the assumption of universal historical development pervades the self-articulation of the Korean youth that is a focus of interest in the such gazettes as Hakjigwang published in the 1910s by one of the largest associations of Japan-based Korean students,
Kimura Naoe, (1998) Seinen no tanjo, shinyosha
Yi Gwangsu, (1910) Joseon saram in cheongnyeon deul ege,
Oxford, (1995) I owe Michael Valdez Moses for the concept of the modern global novel See his The Novel and the Globalization of Culture, Oxford University Press
see Hatano Setsuko, (1995) For more detailed account of the presence of Japanese in The Heartless,