Abstract

This paper make a study of the journal's 『GeaByuk(開闢)』which carries dramatical writing. It is making research that play wright in a dramatic performance had immanent to experience or usual. In the end the purpose of this study is to examine the Korean dramaturgy of the come into being in the 1920. In 1920's, it was time when tests and explorations in styles of drama were in process actively, in result, Korean play wright formation was produced. There was a dramatical write of the 對話(conversation)·諷刺(satire)·滑稽(humor)·打令(a ballad of tar-young) and so on, that enrich the contents for the Korean dramaturgy In this study, We can find that the style of Korean dramaturgy is reflected in the popular reader had experienced in playing. The other hand, method of modernistic drama is more effective on enjoying play than 才談(witticism story) with traditional performance, colloquial style lines, reality of a play wright. It's because 才談(witticism story) had functioned in social communications that the writer was selected as a play wright styles of in the published press in the journal's 『開闢』. So Korean Modern play wright was to popular reader have experienced in playing.