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대중서사연구

Multiple Narration and Soul Narrator

대중서사연구 / 대중서사연구, (P)1738-3188; (E)27139964
2007, v.0 no.17, pp.187-218
https://doi.org/10.18856/jpn.2007..17.006

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Abstract

Multiple narration has need of over two narrators. Each narrator views the object of narration and narrates it in his standpoint. Multiple Narration is classified into two categories; multilayer multiple Narration and multilateral multiple narration. Multilayer multiple narration divides superior narrator and subordinate narrators. The former relay and regulate the latter's narration. Multilateral multiple narration’s narrators describe same object of narration all over, describe to take a part of same object respectively. Multiple narration's narrators distrust possibility of recognition and representation. It is like the position postmodernists are in. Its narrator intends to make small narrative and recognize the other’s narrative. And the narrators are internal-narrative narrators in connection with the object of narration. Soul narrator is dead one that thrown off the raveled equipments of narrative. It is interesting that soul narrator take a view of this side of life from that side. Soul narrator is given in film, TV drama, and novel etc. widely. Soul narrator is not restricted by specified factors of space and time. He can stand on external focalization as well as internal focalization. And soul narrator that attached concrete life describes small and fragmentary story.

keywords
다중서술, 영혼서술자, 시각과 관점의 다양화, 초점화자, 권위적인 서술자. 서사외적 서술, 서사내적 서술, 죽은자, 초점화 국면, 난장이가 쏘아올린 작은 공, 내 이름은 빨강, multiple narration, soul narrator, focalizer, dead one, The small ball that Midget shot up, My name is Red.

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대중서사연구