바로가기메뉴

본문 바로가기 주메뉴 바로가기

대중서사연구

  • P-ISSN1738-3188
  • E-ISSN2713-9964

Korea appeared in popular music “gasiri” research

대중서사연구 / 대중서사연구, (P)1738-3188; (E)2713-9964
2010, v.0 no.24, pp.439-472
https://doi.org/10.18856/jpn.2010..24.016


Abstract

Koryo sokyo ‘Gasiri’ Song of the Koryo Dynasty, but also similar in the present, as in many times a song is made up of similar sentiments. ‘Gasiri’ folk in the first place was called by the people himself, to transcend time and generations, many of these were among the consensus. ‘Gasiri’ gained the sympathy of the public called the universal emotions of love and breakup dealing with an honest attitude of the speaker revealed the familiar and easy to use, because the expression. Sokyo considered basically intact the properties of ordinary sub-culture supernatant with Ginny but marginal by their creation, have been transmitted. Time was enjoyed by people of the characteristics of folk musical attributes, combined with the court as evil, more complex and sophisticated forms will be changed. Folk songs, people’s lives and is closely related. The people were singing folk songs of the tough life they reflect the sentiments of the populace with a focus on culture, when you view the property, folk and pop songs that are sufficiently paramount relevance. This is their roots in folk and popular songs sokyo consideration will have a close relationship. If there are differences in sokyo royal courtesan and the king, was enjoyed by passport and they spread through the private sector, but the performances from popular music, and broadcast by the public via the media will be more widely enjoyed. Another sokyo through the remaining portion of yin and titillating the taste of the songs express the emotions alive and the acquisition of the literature, but popular music is creative, focusing on the commercial. Koryo sokyo ‘Gasiri’ the separation of the people who lived in the era of love and reflects the feelings and emotions. Was a folk ballad that was originally due by the original. But the popular songs ‘Gasiri’ sokyo considered differently 'by the people’ rather than work under the song, ‘public order’ work under the song. For this reason, ‘gasiri’ aspects of the transformation, while maintaining a flow of colorful patterns. Since the 1970s, many songs released so far, ‘Gasiri’ for each song that were released at that time reflected the flow of popular music. Most popular song ‘Gasiri’ the emotion of the original song intact, revealing the creative period of the most popular symbols that were added. Such acceptance and transformation over the course of popular music ‘Gasiri’ close to the original story also appeared in the form, and was far from the original script. In the future, ‘Gasiri’ Is the public to call to hear a favorite for many people will be reborn again and again to provide emotional cleansing will give you the power to live. In this sense, considering sokyo ‘Gasiri’ Staying in the past, but now the song of songs, and even the future will be known as the song.

keywords
민요, 고려속요, 대중가요, 가시리, 고전, 현대성, 노래, 사랑과 이별, folk, Koryo sokyo, popular music, gasiri, classical modernity, songs, love and farewell, folk, Koryo sokyo, popular music, gasiri, classical modernity, songs, love and farewell

Reference

1.

김상민, 앨범명: 2집 Face, 작사: 이영환, 발매일: 2001.5.14.

2.

남상규, 앨범명: 남상규 Best Collection, 발매일: 1992.11.

3.

버블 시스터즈, 앨범명: 가시리(Single), 작사: 서승희, 발매일: 2010.2.5.

4.

서주경, 앨범명: 6집 벤치, 발매일: 2009.1.1.

5.

윤항기·윤복희, 앨범명: 윤항기 & 윤복희 대표곡 모음, 작사: 엄진, 발매일: 1981.4.1.

6.

이규영 & Friends, 앨범명: 1집 가시리, 작사: 이규영, 발매일: 2009.2.26.

7.

이명우, 앨범명: 1, 2회 실황 대학가요제, 작사: 고려가요, 발매일: 1978.3.1.

8.

장연주, 앨범명: 1집 Something Special, 작사: 장연주, 발매일: 2003.6.03.

9.

진주, 앨범명: Life Goes On(Single), 작사: 김성현, 발매일: 2007.5.21.

10.

SG워너비, 앨범명: Story in New York(Special Album), 작사: 안영민, 발매일: 2007.11.23.

11.

강대구, 「가시리 연구」, 『청람어문학』 14집, 1995, 63~87쪽.

12.

강주선, 「대중가요 가사의 텍스트에 대한 연구」, 중앙대 석사논문, 2004.

13.

권수정, 「고려가요 화자 연구―이별의 노래를 중심으로」, 창원대 석사논문, 2002.

14.

김수경, 「속요의 현대화, 그 몇 가지 양상에 관한 시론」, 『한국시가연구』 19집, 한국시가연구학회, 2005, 47~87쪽.

15.

김일렬, 「애정시가의 시가사적 위치와 그 작품 세계」, 『국어국문학』 84호, 국어국문학회, 1976, 46~76쪽.

16.

박노준, 『한국문학개론』, 개문사, 1992.

17.

박애경, 『가요, 어떻게 읽을 것인가』, 책세상, 2000.

18.

송태윤, 「고려가요의 텍스트성 분석―응결성과 응집성을 중심으로」, 조선대 박사논문, 2005.

19.

양주동, 『여요전주』, 을유문화사, 1995.

20.

이정선, 「가시리의 편사와 문학적 해석」, 『한국언어문화』 41집, 한국언어문화학회, 2010, 231~256쪽.

21.

정병욱, 「악기의 구음으로 본 별곡의 여음구」, 『관악어문연구』 2집, 서울대 국어국문학과, 1977, 1~26쪽.

22.

조윤동, 「대중가요 가사 분석을 통한 한국인의 정서 탐색: 해방 이후부터 1996년까지의 가요를 대상으로」, 중앙대 석사논문, 2001.

23.

오승훈, 「합창곡 분석 연구: 김용진 작곡 「가시리」를 중심으로」, 한양대 석사논문, 2006.

24.

유정준, 「함태균 혼성합창곡 「가시리」 분석 연구」, 전북대 석사논문, 2002.

25.

윤영아, 「고려속요의 운율적 특성 연구」, 이화여대 석사논문, 1997.

26.

최미정, 『고려속요의 전승연구』, 계명대학교출판부, 1999.

27.

최철, 『고려국어가요의 해석』, 연세대학교출판부, 1996.

대중서사연구