The youth-focused policy of Kim Jong-Un’s government is distinctive, as it is publicized and emphasized more actively than that of the previous Kim Jong-Un government. This government is publicizing youth-focused theory and policy extensively through the media and frequently propagating political performances that reflect it. On Chosun Central TV, which is North Korea’s public media, propagation broadcasts are employed for the active reflection of “youth-focused thought,” and coverage on youth policy has recently increased. In addition, the form of “youth” that was recently idealized by the Kim Jong-Un government is repeatedly evident in the broadcasted contents. This thesis focused on the idealized youth model and its political implications in relation to contents broadcasted by the Kim Jong-Un government, which can be seen as a general narrative trend in Chosun Central TV programs broadcasted after Kim Jong-Un seized power in North Korea. Therefore, the Kim Jong-Un government is aware of the subject youth and shows a tendency to try to change the narrative form along these lines. From the perspective of contents, the young generation is represented on the surface of the narration by modern images through the symbols of scientific technology, apartments, cultural facilities, however, the deep layer of narration plainly shows a political intention to embrace the desire unconditionally as a public ethics despite the appearance of private desire.In other words, the subject youth tends to be surrounded in the narration of the Kim Jong-Un era. Therefore, the Kim Jong-Un government extensively represents the young generation as social subjects through the media according to the youth-focusing policy, but young people themselves do not become authentic subjects through this narration. This represents a problem for representation. Discussing the phenomenon whereby the ideal youth model recently set up by the Kim Jong-Un government is repeatedly represented on TV media through narration, this thesis considers that this phenomenon disproves the view current political compulsion toward private desire germinated in the young North Korean generation by the Kim Jong-un government should be embraced by public ethics. It can be argued that the real conditions of the young generation are different, reflecting worries about their change in identify under the Kim Jong-Un regime. In other words, it implies that the Kim Jong-Un government is using changes in the young generation as the appearance of private desire originating from indications of social class differentiation, and with the generational model the government wants to delay the social change as much as possible. So, the calling for youth as a social subject on TV media in North Korea is just a surface phenomenon. However, it is necessary to pay attention to the start of this social shift. This year, an exceptional film from North Korea depicting a young man who realizes his individual dreams and ideals by transcending the fate determined by the communist party was released on TV and mass media. This can be seen as an expression of concern about how Kim Jong-Un’s government should include the desires of the young generation in particular.
김정은, 「신년사: 주체 105(2016)년 1월 1일」, 평양: 조선로동당출판사, 2016.
김정은, 「신년사: 주체 102(2013)년 1월 1일」, 평양: 조선로동당출판사, 2013.
리석규 외, 『방송리론』, 평양: 조선중앙방송위원회, 1985.
림향, 「청년들은 새 영화를 기다린다」, 『조선예술』 2016년 6월호, 조선예술문학출판사, 2016.
사회과학원주체문학연구소, 『문학예술사전(상)』, 평양: 과학백과사전종합출판사, 1988.
장명철, 「영사화면의 효과적인 리용: 선군시대에 창조된 경희극작품들을 놓고」, 『조선예술』 4호, 조선예술문학출판사, 2002.
『로동신문』, 2014년 5월 5일.
『로동신문』, 2012년 9월 7일.
강민정, 「김정은 체제 북한 TV드라마의 욕망」, 『통일인문학』 60호, 건국대 인문학연구원, 2014, 203-239쪽.
강민정, 「소설의 TV드라마화’에 반영된 북한 김정은 체제의 정치적 딜레마」, 『통일인문학』 64호, 건국대 인문학연구원, 2015, 119-160쪽.
강민정, 「김정은 체제 북한 시에 드러난 ‘사회주의문명국’의 함의」, 『인문학논총』 47호, 경성대 인문과학연구소, 2015, 145-174쪽.
경남대 극동문제연구소 편, 『북한 청년들은 세 새대인가?』, 경남대 극동문제연구소, 2008.
김미진, 「김정은 시대 북한 경희극 분석」, 『동아연구』 34권 2호, 서강대학교 동아연구소, 2015, 39-72쪽.
김선경, 「북한 청년의 세대적 ‘마음’과 문화적 실천: 북한 ‘사이(in-between) 세대’의 혼종적 정체성」, 『통일연구』 19권 1호, 연세대 북한연구원, 2015, 5-39쪽.
김종수, 『북한청년동맹 연구』, 한울아카데미, 2008.
김철관, 『영상이미지와 문화』, 배재대학교출판부, 2009.
박종철 외, 『재스민 혁명의 분석과 북한에 대한 시사점』, 통일연구원, 2011.
서곡숙, 「북한 대중영화의 갈등 연구: <우리 삼촌집 문제>, <우리 누이집 문제>, <우리 사돈집 문제>의 비판 장면과 반성 장면에서 드러나는 인물ㆍ공간ㆍ발화의 문제를 중심으로」, 『대중서사연구』 18호, 대중서사학회, 2007, 229-257쪽.
안지영·진희관, 「김정일 시기 북한 영화 및 TV드라마로 본 청년의 사회진출 양상과 함의」, 『한국문화기술』 19호, 한국문화기술연구소, 2015, 63-98쪽.
안지영, 「김정은 시기 개별화된 아동·청소년 형상: 북한 영화 및 TV드라마를 중심으로」, 『통일부 신진연구자 2015 자료』, 통일부, 2015.
전영선, 「북한 사회의 정체성과 북한 영화: 청소년 영화와 드라마를 중심으로」, 『한국언어문화』 28집, 한국언어문화학회, 2005, 354-380쪽.
정영권, 「2000년대 초반 북한 영화와 청년세대: 청년 과학자와 청년동맹 형상화를 중심으로」, 『동아연구』 34권 1호, 서강대학교 동아연구소, 2008, 33-77쪽.
조정아, 「새로운 세대의 탄생: 북한 청소년의 세대경험과 특성」, 통일연구원, 2013.
황규성, 「북한청년의 사회적 공간과 주변대중화」, 『북한연구학회보』 20권 1호, 북한연구학회, 2016, 153-181쪽.