ISSN : 1738-3188
The purpose of this study is to consider the popularity strategy evident in the comic book. The <Mysterious 33rd Door> from the 1970s. It analyzes The <Mysterious 33rd Door>, a popular comic book series, and identifies the charact eristics of the series and why it gained public popularity. The series adopts the “Jeoksseonhagang” structure. This structure to make it easy for readers to enjoy. Another narrative structure is the “Sinmageomhyeop” structure, which represents a sub-genre of a chivalry novel. Thus, it would have been appr opriate for the Muhyeop cartoon to borrow. Both the chivalry novel and comic books share the same distribution methods; thus, it represents a strategy for commercial success. Moreover, the narrative structure repeats itself in the works; this is suitable for extending the narrative with the knight-errant story. In addition, it stimulates readers' curiosity through non-uniform changes. Finally, it includes three showdown episodes, three amulets, three brothers, and three pouches, motifs that will continue to increase the curiosity and attention of the readers. This is called a triple auxiliary element, and it is often used in folk tales. This is a result of securing public interest in the commercial strategy. Thus, a strategy for securing public confidence was found. It is meaningful that the reason for the popularity was identified, and this creates a starting point for the study of Daebonso comics.
김태곤, <신비한 서른세째문>
김태곤, <무천산의 신비한 구슬>
김낙호·박인하, 『한국현대만화사』, 두보CMC, 2012.
김성환, 「1970년대 대중 서사의 전략적 변화」, 『현대문학의 연구』 51, 2013, 153-192쪽.
박인하, 『장르 만화의 세계』, 살림, 2004.
박인하, 『한국현대예술사대계 Ⅳ-1970년대』, 시공사, 2005.
블라디미르 프로프, 『민담형태론』, 유영대 역, 새문사, 2000.
양수중, 『무림백과』, 안동준·김영수 역, 서지원, 1993.
이복규, 「고소설의 환원구조 연구」, 『국제대학논문집』 제9집, 1981, 385~420쪽.
이진원, 『한국무협소설사』, 채륜, 2008.
최은경, 「韓國民譚에 나타난 숫자개념- ‘三’을 중심으로」, 『韓國語文學硏究』 16, 1985.