1990년대 “금융자동화”의 문화적 의미 —신자유주의 세계화와 금융 투명성의 맥락에서
The Cultural Significance of “Financial Automation” in 1990s South Korea―In the Context of Neoliberal Globalization and Financial Transparency
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Abstract
This paper defines the turning point of the “automation” discourse in South Korea as the 1990s, especially when the discourse and technologies of “financial automation” spread in the society, by analyzing the popular narratives in the media at the time. The “automation” discourse previously centered on a rather playful imagination of a hopeful future but, at this turn, connected with a sense of anxiety over an inhuman and cold-hearted dystopia. To examine this, the paper traces the trajectory of the “automation” discourses in South Korea and, based on that historicization, investigates the representations of financial automation in the films of the 1990s. It explores the transition from the 1980s when the automation technology and its mobility system were embraced as the objects of amusement and admiration in a consumer utopia to the 1990s when the financial transparency became the spirit of the times in that neoliberal globalization visualized the individual’s everyday life in the flow of financial automation.
- keywords
- automation, financial automation, transparency, visibility, anonymity, 자동화, 금융자동화, 투명성, 가시성, 익명성
참고문헌
경향신문 ,
뉴시스 ,
동아일보 ,
매일경제 ,
문화일보 ,
서울파이낸스 ,
연합뉴스 ,
이데일리 ,
제민일보 ,
조선일보 ,
한겨레 ,
한국경제 ,
The NewYork Times
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