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대중서사연구

  • P-ISSN1738-3188
  • E-ISSN2713-9964

The identity and influence of film genre

대중서사연구 / 대중서사연구, (P)1738-3188; (E)2713-9964
2005, v.0 no.13, pp.199-222

Abstract

This writing observes the identity and influence of film genre. The motion of film is not an existence but it only keeps repeating 24 images per second. However, why does the moment of film image have an enormous impact? It is possible to capture that movie leads our eyes through camera which is exactly like human eyes with continued images. This is why we see a phenomenon of optical illusion while watching movies. The spectators look at the world through camera like as we see a reality with eyes. Eyes and lenses of camera function in same way. Next, the reason why movie has an actual power in reality is that it predicates the structures of human being. The predications of movie occur by directors with editing. The director shares, distributes, and inverses films that remakes the structure like real captures of human being. By the progress of editing, the spectators confuse between reality and imagination. The similarity of picture media became a motive that brings absolute power in genre of modern art. The main point of this writing is that the picture media became eventually a production of modern age, and this is the way to express modernistic. According to G. Deleuze's mention, the entering of film means the appearance of new consideration and the way of expression about the objects. Therefore, we definitely need to prepare our attitudes and research the expression of picture media that comes in our realities later on.

keywords
film genre, narrative, influence, image, camera, optical illusion, modern art, modernistic, progress of editing, the way of expression, film genre, narrative, influence, image, camera, optical illusion, modern art, modernistic, progress of editing, the way of expression, 영화장르, 이미지, 착시현상, 카메라의 시각, 영상편집, 현대 예술, 근대성, 새로운 표현방식

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