바로가기메뉴

본문 바로가기 주메뉴 바로가기

대중서사연구

The identity and influence of film genre

대중서사연구 / 대중서사연구, (P)1738-3188; (E)27139964
2005, v.0 no.13, pp.199-222

  • Downloaded
  • Viewed

Abstract

This writing observes the identity and influence of film genre. The motion of film is not an existence but it only keeps repeating 24 images per second. However, why does the moment of film image have an enormous impact? It is possible to capture that movie leads our eyes through camera which is exactly like human eyes with continued images. This is why we see a phenomenon of optical illusion while watching movies. The spectators look at the world through camera like as we see a reality with eyes. Eyes and lenses of camera function in same way. Next, the reason why movie has an actual power in reality is that it predicates the structures of human being. The predications of movie occur by directors with editing. The director shares, distributes, and inverses films that remakes the structure like real captures of human being. By the progress of editing, the spectators confuse between reality and imagination. The similarity of picture media became a motive that brings absolute power in genre of modern art. The main point of this writing is that the picture media became eventually a production of modern age, and this is the way to express modernistic. According to G. Deleuze's mention, the entering of film means the appearance of new consideration and the way of expression about the objects. Therefore, we definitely need to prepare our attitudes and research the expression of picture media that comes in our realities later on.

keywords
film genre, narrative, influence, image, camera, optical illusion, modern art, modernistic, progress of editing, the way of expression, film genre, narrative, influence, image, camera, optical illusion, modern art, modernistic, progress of editing, the way of expression, 영화장르, 이미지, 착시현상, 카메라의 시각, 영상편집, 현대 예술, 근대성, 새로운 표현방식

Reference

1.

(2003) 영상이미지의 구조, 나남출판

2.

(2001) 이미지는 어떻게 살고 있는가, 생각의 나무

3.

(2003) 영화 - 존재의 이해를 위하여, 생각의 나무

4.

(1999) 영화, 이미지, 이론, 문화과학

5.

(2001) 줌 - 아웃, 연세대 출판부

6.

(2002) 영상문화시대에 따른 인문학적 대응전략으로서의 이미지 연구, 인문사회연구회, 한국교육개발원

7.

(2002) 시네마 1 ; 운동- 이미지, 시각과 언어

8.

(1997) 영화와 문학에 대하여, 민음사

9.

(1990) 영화와 소설의 서사구조, 민음사

10.

(1999) 영화와 모더니티, 민음사

11.

(1999) 영상 이미지 읽기, 문예출판사

12.

(2002) 영화의 환상성, 동문선

13.

(1992) 발터 벤야민의 문예이론, 민음사

14.

(2002) 미디어의 이해, 민음사

15.

(1995) 포스트 모던 문화읽기, 서울대 출판부

대중서사연구