ISSN : 1738-3188
Didier Éribon’s dialogue with Ernst Gombrich, first published in 1991 in France, stands as a curious example of interpreting a scientific mind into a popular narrative. On the occasion of its brand new translation in Korean, this essay examines the encounter of two different languages, that of scholarly art history and the other, of “entretien”. Éribon’s previous interviews with Georges Dumézil and Claude Lévi-Strauss have already shown the perfect use of dialogue that interprets in simple words some currents of European thoughts of 20th century at its highest level. The double identity found in the extraordinary profile of the author of The Story of Art should help us deal with this particular form of dialogue in depth, and expect another possibility of explaining and reconstructing academia.
Gombrich, E. & D. Éribon, Ce que l’image nous dit: Entretiens sur l’art et la science, Paris: Adam Biro, 1991/Paris: Arléa, 2010.
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디디에 에리봉,랭스로 되돌아가다, 이상길 역, 문학과지성사, 2021.
E. H. 곰브리치,서양미술사, 백승길·이종숭 역, 예경, 2017.
에른스트 곰브리치·디디에 에리봉,이미지가 우리에게 들려주는 것, 정진국 역, 민음사, 1995.
조르주 뒤메질·디디에 에리봉,대담: 디디에 에리봉과의 자전적 인터뷰, 송대영역, 동문선, 2006.
클로드 레비스트로스·디디에 에리봉,가까이 그리고 멀리서: 클로드 레비스트로스 회고록, 송태현 역, 강, 2003.
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Gombrich, Ernst, L’Histoire de l’Art, Paris: Flammarion, 1986.
Gombrich, Ernst, The Story of Art, Oxford: Phaidon Press, 6th edition, 1995.
Gombrich, Ernst & Didier Éribon, Looking for Answers: Conversations on Art and Science, New York: Harry N Abrams, 1993.
Perspective, la revue de l’INHA, Paris, Institut National d’Histoire de l’Art, 2008.
Guillaume Morel, “Ce que l’image nous dit”, Connaissance des Arts, 2009.6.5.(https://www.connaissancedesarts.com/arts-expositions/ce-quelimage-nous-dit-1111878/)