2.1. The Concept of Infographics

An infographic is a combination of the terms “information” and “graphic” (Smith, 2019). Since infographics were introduced in the Victorian era with Florence Nightingale’s depiction of the causes of mortality of the British Army, the combination of quantitative data and the artful design of colors and forms, imbued with aesthetic considerations, has highlighted the significance of infographics as an effective tool for data presentation (Kelidou & Siountri, 2020). Throughout the twentieth century, infographics gained widespread utilization in journalism, serving as a means for conveying news and illustrating weather forecasts (Lester, 2003). An illustrative example comes from 2008 when news agencies across the United Stated employed infographics to convey information related to the presidential election (Beegel, 2014). In the advent of the digital age, infographics found even greater use and prevalence across diverse sectors such as commercial endeavors, health care, education, and tourism.

In this era, infographics have emerged as popular instruments for conveying information. This popularity can be attributed to the fact that infographics encompass a diverse array of elements, including texts, icons, graphics, photos, animated graphics, and data visualizations. These elements contribute to the effective communication of information. Furthermore, infographics seamlessly integrate data, information, and design principles. These inherent attributes not only capture audiences’ attention at a glance, but also facilitate rapid comprehension and retention of information (Hassan, 2016; Kelidou & Siountri, 2020; Yıldırım, 2016). Moreover, the digital age has ushered in extensive communication avenues via the Internet and a variety of digital platforms, such as websites and social media. The visual nature of infographics serves not only to assist audiences to understand mass and complex information, but also encourages their active engagement by fostering the sharing of thoughts, feelings, and opinions (Davis & Quinn, 2013). In this context, it is noteworthy that McCready (2020) found that audiences exhibit a preference for liking and sharing infographics on social media platforms at three times higher compared to other content types.

In the commercial sector, infographics have gained widespread use for marketing purposes due to their ability to engage customers, encourage content consumption, and facilitate quick decision-making. The 2020 statistics regarding the utilization of infographics for marketing in four countries, the United States, Canada, United Kingdom, and Australia, revealed that infographics were frequently used and significantly made marketers reach their marketing goals, with 42.9% in Canada, 32.1% in the United States, 28.6% in Australia, and 20% in the United Kingdom, respectively. Notably, audiences have demonstrated a clear preference for infographics over articles, favoring them by a ratio of 30 to 1, and exhibiting a threefold likelihood of liking and sharing infographics on social media when compared to other content types. However, it is crucial to emphasize that achieving effective infographics necessitates a high standard of both content quality and visual design, as highlighted by McCready (2020) and Siricharoen and Siricharoen (2015).

The efficacy of infographics relies on quality of information and visualization. This effectiveness is rooted in the alignment of design methodologies with the intended objectives of the infographics (Yıldırım, 2016). According to Davis and Quinn (2013), efficacy stems from well-defined purposes, appropriate components, suitable typologies, and strategic approaches for information presentation. Additionally, numerous studies have affirmed beneficial effects of effective infographics on audiences, encompassing diverse dimensions such as heightened motivation, improved transmission and acquisition of information, and enhanced capacities for recall and retention (Egan et al., 2021; Ozdamlı et al., 2016). In addition to infographic impacts, Festi (2019) also confirms that the data and design employed in infographics significantly impact audiences’ perceptions and cognitive processes.

In conclusion, infographics have evolved from their historical origins into a versatile means of communication across numerous sectors. Their impact is underscored by the need for purpose-driven design and quality content, ultimately enhancing audience engagement, knowledge acquisition, and information retention. Infographics are not only visually appealing; they are potent vehicles for effective communication in the digital age.

2.2. Infographics and Learning

Within the education sector, a consensus among scholars has emerged, underscoring the heightened adoption of infographics for educational objectives (Kelidou & Siountri, 2020; Lazard & Atkinson, 2015; Yıldırım, 2016). Infographics have evolved into robust instructional tools, lending extensive support to learning objectives and pedagogical aspirations, thereby exerting a positive impact on students’ academic accomplishments. This phenomenon stems from students’ active engagement with information, characterized by their adeptness in reading, analyzing, and interpreting visual content, which in turn fosters the cultivation of critical thinking skills during their engagement with infographics (Dunlap & Lowenthal, 2016). As highlighted by Ozdamlı et al. (2016), the influence of infographics on students’ cognition extends further, facilitating the generation of meaning and conceptual ideas, thereby intricately enhancing the process of learning and understanding.

Davis and Quinn (2013) conducted a study that illuminated the substantial impact of infographics on students’ reading and writing abilities. Their research unveiled that students found it considerably easier to comprehend intricate information, particularly within the realms of sciences, history, and mathematics subjects. In the same vein, Batdı et al. (2019) harnessed infographics for science education and observed a manifold enhancement of students’ skills, ranging from creativity and critical thinking to adeptness in presentation. The efficacy of educational infographics hinges not only on the caliber of their content and visual design, paralleling their utility in other contexts, but also on the precision of information they convey. Moreover, instructors or infographics creators must be attuned to strategic considerations and target audiences, driven by the realization that students’ learning capacities diverge across levels. Scholars advocate for the integration of strategies such as mind maps, succinct summaries, or fundamental messages within educational infographics, facilitating students’ effortless comprehension through swift scanning or skimming (Dunlap & Lowenthal, 2016).

Infographics have pervaded the education sector, not only as tools for conveying instructional content in specific subjects, but also as vehicles for disseminating diverse learning materials such as fiction, non-fiction books, and articles. These resources manifest in various formats, spanning printed, electronic materials, and online sources. A compelling illustration of this trend lies in the realm of infographic books, predominantly comprising non-fiction works that present captivating facts and statistical insights on specialized topics. Such publications prove advantageous for both classroom and extracurricular learning. In Thailand, Wizes Infographic Book: Social Studies, esteemed for its engrossing content and vibrant design, harmoniously augmented by the incorporation of augmented reality, clinched the prestigious design excellence award DEmark in 2017. This achievement underscores the book’s resonance among high school students passionate about the social sciences (DEmark, 2017). In succession, the Thai publishing arena has borne witness to the emergence of an array of infographic books, spanning genres like biology, chemistry lectures, global exploration via infographics, and even Japanese language infographics (Naiin, 2022).

Infographics have been seamlessly integrated into a diverse array of education resources, serving as catalysts that empower and motivate learners to explore subjects aligned with their interests. Cultural and historical sites stand out as a noteworthy category. These sites bear significance for learners by offering glimpses into the world’s reality, complete with its people, events, and landscapes, thereby enriching learners’ understanding and experiences (Waite, 2011). In addition to their informative value, cultural and historical resources fulfill a vital role in fostering cultural awareness and understanding the underpinnings of one’s heritage, while simultaneously promoting the appreciation of cultural diversity (Limtasiri, 2017). Numerous infographics that spotlight cultural and historical locales have been published, frequently adopting digital formats to cater to contemporary consumption habits. Moreover, the convenience and accessibility of digital platforms such as websites, electronic books, and social media have further endeared them to learners, allowing for effortless engagement, interaction, sharing, and flexibility in learning pursuits (Moundy et al., 2021).

In conclusion, the integration of infographics into education has witnessed a surge in popularity, aligning with modern learners’ preferences for engaging and visual-rich learning materials. The effectiveness of infographics spans various subjects and materials, ultimately enhancing comprehension, critical thinking, and retention. Their ubiquity in educational resources underscores their role in fostering cultural awareness and enhancing learning experiences. The rise of digital platforms has further facilitated their accessibility, rendering them an invaluable asset in modern education.

2.3. Infographics and Cultural Tourism

Infographics have become indispensable tools within the global tourism industry, functioning as conduits for dispensing crucial information, offering guidance, and spurring tourists to explore new destinations. Nowadays, tourists actively seek and prepare travel information in both printed and digital formats. Infographics play a pivotal role in meeting the information needs of tourists, owing to their versatile formats that cater to various devices like mobile phone or laptops (Sezer, 2021).

Cultural tourism is a distinct form of travel that centers around engaging in activities within cultural and historical locales. Tourists participating in cultural tourism are immersed in learning, exploration, and the unique experiences tied to a specific culture (World Tourism Organization [UNWTO], 2017). This form of tourism holds the distinction of being a high-value endeavor, generating not only economic benefits for local communities and nations, but also fostering a broader understanding and enriched experience for both residents and visitors alike (Tourism Authority of Thailand, 2021). The Tourism Authority of Thailand (2021) underscores the importance of harnessing digital technologies and innovative approaches to enhance the portrayal and dissemination of content related to Thai cultural tourism, thereby widening its appeal to prospective tourists. Among these strategies, infographics emerge as a versatile tool capable of delivering information across a spectrum of digital platforms, including websites and social media.

In Malaysia, Sidyawati et al. (2019) have developed augmented reality infographics for providing information about Nusantara Mask Heritage in the Museum of Asian Art. The results showed the efficacy of infographics in this context, as the visually appealing nature of the content enticed tourists to engage with the interactive information provided. Meanwhile, Lee and Kim (2016) involved the development of ten infographics in a poster format. The outcomes of this endeavor demonstrated that these visually captivating infographics not only pleased tourists aesthetically, but also presented novel information in a manner that saved their time while perusing the material.

According to Ashman and Patterson (2015), infographics designed for marketing and information services should encompass key attributes such as novelty, informativeness, efficiency, and aesthetics. The elements of novelty can captivate audiences, igniting their interest to explore tourist destinations and engage with various products and services. Informativeness involves the presentation of information that is concise, reliable, verifiable, and complete.

Skinner Beitelspacher et al. (2011) noted that the efficiency of infographics becomes evident when the audience can swiftly comprehend and engage with the content upon an initial glance. This immediate grasp can influence viewers to further explore the featured products or services. In crafting an effective infographic, the aesthetics component, which encompasses the realms of artistry and design, is of paramount importance.

Scholars highlight the importance of tailoring infographic designs for tourism by identifying the intended audience. This allows for precise alignment of data, information, and visuals with tourists’ preferences. A design characterized by clarity, simplicity, and ease of understanding, encompassing text, color, layout, forms, graphics, and data visualization, is pivotal. This meticulous design strategy captures tourists’ attention instantly, prompting decisions, product consumption, and bolstering tourism marketing effectiveness (Sezer, 2021; Singhasin, 2017).

In summary, infographics have carved a prominent niche in the tourism sector by effectively delivering information, enhancing tourist experiences, and promoting destinations. Their adaptability to different formats, platforms, and purposes positions them as potent instruments for communicating with diverse audiences, be it tourists seeking cultural immersion or travelers aiming to explore new places. The synergy between visual appeal, informative content, and strategic design makes infographics an indispensable tool in modern tourism marketing and information dissemination.

2.4. Infology Theory and Message Design Approach

A foundation of this study was based on infology theory and message design approach. Infology is one of the fields included under the umbrella of message design theory, which relates to four fields including combined disciplines, infography, infology, and infodidactics (Pettersson, 2015). Infology theory includes principles and approaches for achieving goals in presenting data, which involve verbal and nonverbal communication, and the message’s interpretation. This theory centers on the intellectual and practical interplay between data and design. This study places particular emphasis on cognitive discipline, serving as the cornerstone for the creation of infographics aimed at promoting Patum village as a cultural learning resource and tourist attraction.

The cognitive principle includes four principles: facilitating attention, facilitating perception, facilitating mental processing, and facilitating memory (Pettersson, 2014). To facilitate attention, information creators must employ design elements that captivate and sustain the audience’s focus, utilizing typography, text, visuals, layout, symbols, and color. In terms of facilitating perception, creators employ design techniques and effective information management strategies, enabling audiences to analyze, interpret, and realize the value from the information presented. Meanwhile, facilitating mental processing involves fostering an environment that encourage target audiences to understand the information. Lastly, creators are tasked with crafting information that is concise, meaningful, and coherent, harnessing the power of visual elements to enhance comprehension and retention.

Pettersson (2012) delineated a four-step message design approach. It commences with the commission process, in which creators ascertain the intended audience and articulate the explicit purposes of information design. Then in the design process, creators discern and employ the most suitable design principles and tools to fashion a preliminary draft and script. Finally, the creators meticulously craft the original version, followed by a thorough review, culminating in the presentation of the final product to the intended audiences.

In conclusion, this study highlights the symbiotic relationship between infology theory and the message design approach. Infology theory, nested within message design theory, provides principles applicable to diverse data presentation. Cognitive discipline becomes pivotal, enabling the creation of infographics that surpass visual appeal, encompassing cultural depth and tourist attraction. This emphasizes infology’s role in shaping effective communication, resonating through meticulous message design. This confluence of theory and practice enhances the grasp of principles and cultivates strategies bridging creativity, understanding, and engagement realms.

4.1. Needed Topics and Scopes Representing Patum Village’s Characteristics

The findings of this study showed that there were eight topics for promoting Patum village as a cultural learning resource and tourist attraction, including:

Topic 1: Patum travel

Topic 2: Patumdon Temple: A solely Tai temple in Phrao District

Topic 3: 182-year-old Ficus drupacea: Tree of Patum’s belief

Topic 4: King Ka La and Tho dance: The uniqueness of Tai culture

Topic 5: Twelve-month festivals of Patum’s people

Topic 6: Tai food that should be tried together

Topic 7: Fermented soybean: Authentic Patum food

Topic 8: Brown sugarcane cube: Ancient Tai’s natural food

Those eight topics were informed by the insights gathered during interviews with 40 local people of Patum, of which they were 13 (32.5%) male and 27 (67.5%) female. Most of them were aged above 50 years old (28, 70%), followed by those aged between 41-50 years old (7, 17.5%) and aged between 21-30 years old (3, 7.5%), respectively. The majority of the careers of local people were househusband and housewife (11, 27.5%), followed by self-employed (10, 25%), and farmer (9, 22.5%), respectively. The researcher analyzed both quantitative and qualitative data, gathering from seven main points, which included 1) Outstanding features of the village, 2) Important historical places in the village, 3) Outstanding products of the village, 4) Outstanding culture and festivals of the village, 5) Symbols of the village, 6) Cultural tourism destinations of the village, and 7) Information needed to promote Patum village as a learning resource and cultural tourist attraction for tourists.

As shown in Table 1, the results from the seven main points were extracted and categorized into four themes, including 1) Tourist destination, 2) Authentic food, 3) Culture and festival, and 4) Symbols. Then, the researcher ranged and chose the top three topics in each theme to be presented in the eight infographics.

Even though there were eleven topics aligned in four themes, the researcher placed all topics into the eight infographics. The first rankings of topics in each theme were selected as the four main topics, which included Patumdon Temple (f=98), fermented soybean (f=43), King Ka La dance (f=21), and Ficus drupacea tree (f=20). Patumdon Temple was presented in Topic 2: Patumdon Temple: A solely Tai temple in Phrao District. Fermented soybean was presented in Topic 7: Fermented soybean: Authentic Patum food. King Ka La dance was presented in Topic 4: King Ka La and Tho dance: The uniqueness of Tai culture. The Ficus drupacea tree was presented in Topic 3: 182-year-old Ficus drupacea: Tree of Patum’s belief.

Then, the topics with high frequency in the second-ranking, brown sugarcane cubes (f=41) and beef skin salad (f=41), were also considered and selected as the main topic. Brown sugarcane cubes were presented in Topic 8: Brown sugarcane cube: Ancient Tai’s natural food. Beef skin salad was presented in Topic 6: Tai food that should be tried together. Meanwhile, the rest of the topics were combined and presented with the other main topics. For example, 1) Tho dance (f=21) was presented with the King Ka La dance in Topic 4: King Ka La and Tho dance: The uniqueness of Tai culture, 2) Pan Pong Buddha (f=9) was presented with Patumdon Temple (f=98) in Topic 2: Patumdon Temple: A solely Tai temple in Phrao District, and 3) Monlann mountain (f=6) was presented with Jom Hin Buddha’s relics (f=4) in Topic 1: Patum travel.

4.2. The Appropriateness and Quality of the Eight Infographics

Once the topics had been selected, the researcher embarked on the design and development of the eight infographics, guided by the principles of infology theory with a focus on cognitive principles. The process was then complemented by the utilization of message design theory, incorporating the following key phases:

1. Commission: Analyzing and synopsizing the target audience, which was local people, students, teachers, and people who had access to the eight infographics.

2. Design process: The design phase was rooted in cognitive principles, encompassing four crucial aspects, including 1) facilitating attention, 2) facilitating perception, 3) facilitating mental processing, and 4) facilitating memory.

3. Design: Integrating text, layouts, pictures, symbols, and effects to design and develop the first draft of eight infographics and cartoon characters. Then, the drafts were assessed by three arts and design experts. The assessment criteria encompassed graphic quality, content, and overall usefulness. Feedback from the experts informed the subsequent refinement of the drafts, ultimately leading to the creation of the final versions.

4. Representation: The final step encompassed the publication and launch of the eight infographics across four distinct platforms: book, e-book, Glampatum website, and the @glampatum Facebook fan page.

After designing and developing the eight infographics, the researcher enlisted the expertise of the three experts in art and design to assess their appropriateness and quality using an evaluation form. The assessment covered three main themes: graphics, content, and usefulness (Fig. 2).

Fig. 2

Draft of infographic before receiving feedback from three experts. Topic 2: Patumdon Temple: A solely Tai temple in Phrao District. Left: first draft; right: second draft.

Table 2 provides the assessment of the appropriateness and quality of eight infographics by three experts in arts and design. The results show that the graphics of the seven topics were at a highly appropriate level. Conversely, Topic 7: Fermented soybean: Authentic Patum food, attained an appropriate level ( $\overline{\text{x}}$=4.33, standard deviation=0.58). The contents and usefulness assessments of all infographics were at a highly appropriate level.

Moreover, the experts also provided comments and feedback for the purpose of revising the infographics, as outlined below:

Topic 1: The graphics are stunning, especially the symbols, colors, and overall aesthetic. It is recommended for the researcher to adjust the colors to match the real colors of certain objects. The succulents should be removed, as they are not relevant to the village’s geography.

Topic 2: The architectural details of the temple are well-presented and beautiful. The researcher should consider adjusting the background color by reducing the intensity of the orange hue.

Topic 3: This infographic is very engaging. The layout is well-structured and the content is perfectly executed.

Topic 4: The infographic is quite attractive with nice colors. The content is presented in a fun and visually appealing way.

Topic 5: It is suggested to add more data related to the September festival in this infographic.

Topic 6: To enhance the infographic, the researcher should add additional steps for making beef skin salad. Additionally, the color of the food should accurately reflect its real color.

Topic 7: This infographic provides interesting knowledge about fermented soybeans. Consider adding one more step for the process of making fermented soybeans.

Topic 8: The graphics are engaging and easy to understand, promoting effective comprehension, retention, and recall. However, the overall theme feels a bit dark and could be lightened up for better visual appeal (Fig. 3).

Fig. 3

Revision after receiving feedback from three experts for Topic 1: Patum travel (left) before revision and (right) after revision.

4.3. Values of Using the Eight Infographics

The researcher collected quantitative and qualitative data from 92 respondents about the values of using all eight infographics by accessing:

1) Patum’s mobile exhibition at a school and temple in Phrao district

2) Book

3) Ebook ( https://online.fliphtml5.com/qesfb/orha)

4) Glampatum website ( https://glampatum.cmru.ac.th)

5) Punya Patum Facebook fan page

4.4. Satisfaction of Using the Eight Infographics

The research found that the overall satisfaction of participating audiences was at a high level. This satisfaction was evaluated based on three key aspects: format and quality, content, and usefulness. Table 5 shows that the majority of audience members were satisfied with the format of Topic 7: Fermented soybean: Authentic Patum food ( $\overline{\text{x}}$=4.51) at a very high level, while the satisfaction of the rest of the infographics was at a high level. For the content, most of the audience members were satisfied with the format of Topic 8: Brown sugarcane cube: Ancient Tai’s natural food ( $\overline{\text{x}}$=4.52) at a very high level, while the rest were at a high level. For the usefulness, there were five infographics that the audience members were satisfied with at a very high level, including Topic 2: Patumdon Temple: A solely Tai temple in Phrao District ( $\overline{\text{x}}$=4.57), Topic 4: King Ka La and Tho dance: The uniqueness of Tai culture ( $\overline{\text{x}}$=4.58), Topic 6: Tai food that should be tried together ( $\overline{\text{x}}$=4.55), Topic 7: Fermented soybean: Authentic Patum food ( $\overline{\text{x}}$=4.54), and Topic 8: Brown sugarcane cube: Ancient Tai’s natural food ( $\overline{\text{x}}$=4.62). Meanwhile, for Topic 1: Patum travel ( $\overline{\text{x}}$=4.46), ,Topic 3: 182-year-old Ficus drupacea: Tree of Patum’s belief ( $\overline{\text{x}}$=4.50), and Topic 5: Twelve-month festivals of Patum’s people, the satisfaction was at a high level.

5.1. Infographics’ Appropriateness and Quality

The eight infographics were created and designed based on infology theory by designing through cognitive principles. As such, Pettersson (2015) specified that the design process of infographics should begin with the analysis and synopsis process. Therefore, the researcher analyzed content gathering from 40 local people because they recognize the identity of their village and the needed information for promoting Patum village as a cultural learning resource and tourist destination. Additionally, information and evidence about the village from primary and secondary resources such as books, news, interviewees, and websites were analyzed for the production of scripts.

In terms of the cognitive principles, the experts provided that the eight infographics attracted and induced audiences to read and learn, achieving the facilitating attention element. Meanwhile, the audience members had a satisfying level in the content (beauty, interested, color, font, picture/graphic, composition, space, and creative) when looking at all the infographics. A study related to an interactive infographic for the Museum of Asian Art in Malaysia also confirmed that a successful infographic that can attract attention involves colors, fonts, picture/graphics, composition, and mixed techniques (Sidyawati et al., 2019).

In regard to facilitating perception, this research showed that audiences received six values after watching the eight infographics, including: getting knowledge, benefiting the education sector, understanding Patum’ history, promoting Patum’s culture, festivals, religions and beliefs, promoting cultural tourism, and enjoying aesthetics (Table 4). Those values can be facilitated for the perception of audiences in three sectors: education, culture, and tourism. In particular, the cultural and tourism initiatives are aligned with the Tourism Authority of Thailand (2021)’s strategy, which emphasizes the utilization of media, digital technology, and innovation for the development of cultural tourism content. These initiatives have the potential to transform the area’s image and broaden the niche tourist market, thereby contributing to long-term growth. Moreover, cultural tourism is a high-value form of tourism making local people and tourists gain experiences, cultural learning, cultural awareness, and mutual understanding. Therefore, the eight infographics were powerful for promoting Patum’s cultural tourism, benefiting local people and tourists.

Krum (2013) and Iliinsky (2010) indicated that a high-quality infographic needs to focus on information, language, and pictures suiting target audiences. Inthanai (2018) also mentioned that the appropriate character for cultural tourism promotion must be in a simple form and gesture, and with a neutral emotion because it can be used at every level of the audience. This study also chose a simple character in a man with local dress, basic information, and language that is easy to understand and recognize for facilitating mental processing.

In terms of facilitating memory, Pettersson (2015) stated that content that is easy to understand benefits comprehension and recall, which is called the pictorial superiority effect. The participating audiences provided that six infographics were easy to understand and they were satisfied at a satisfied level, excepting Topics 6 and 7 which were at a highly satisfied level.

5.2. Infographics’ Values

Most audience members mentioned that they gained new knowledge related to Patum village. This means that those audiences possessed a visual literacy which can categorize, interpret, and be aware of the value emerging from the infographics. Moreover, they interpreted the values based on their careers and environments. For example, the students found value in learning, while teachers found value in teaching by using infographics as learning materials.

In regard to the value on promoting Patum’s history and culture, the audiences provided that after they saw the infographics, they understood the root of Patum culture and had more awareness about Patum’s culture involving festivals, religions, and beliefs. The graphics contained interesting information such as ancient historical places, local festivals, local foods, local wisdom, traditional knowledge holders, and the collaboration of communities. Moreover, the value of promoting Patum’s history and culture was linked to the value of promoting cultural tourism. Furthermore, the infographics attracted audiences to visit the real places and reduce time for tourists for retrieving information. Alhadi (2019) suggested that novelty and outstanding information can make more attraction for tourists. As can be seen, the values of using the eight infographics had a positive impact on cultural tourism in terms of promoting the area as a learning resource and tourist destination. Meanwhile, the impacts on Patum’s local communities were conservation, preservation, and dissemination of natural resources, culture, festivals, and local wisdom (Tourism Authority of Thailand, 2021).

Aesthetic value happened when the audiences enjoyed the graphics and contents of the eight infographics. There were 64 audience members who noted the happiness and fun that occurred when they looked at the eight infographics. Many scholars also note that arts and aesthetics are essential elements of designing infographics because they affect the pleasantness, joyfulness, and happiness of their audiences (Chukreu, 2018; Kai, 2015; Singhasin, 2017).

5.3. Satisfaction with Infographics Usage

The satisfaction was categorized into three points, including format, content, and usefulness. Most audience members had overall satisfaction using the eight infographics at a high level. For the format, seven out of eight infographics had a high satisfaction, except Topic 7: Fermented soybean: Authentic Patum food, which was at very high satisfaction. The reason was that it included how-to infographics and the content was easy to understand as a step-by-step process. This is similar to the study of Jantanarmsri and Chomngam (2018), where the famous infographics were designed in a how-to format because it was practical information and influenced the audience’s behavior.

For the satisfaction related to the infographics’ content, the audiences had overall satisfaction with using seven out of eight infographics (Topics 1-7) at a high level. Meanwhile, Topic 8: Brown sugarcane cube: Ancient Tai’s natural food, had very high satisfaction because of beautiful graphics, appropriateness, attractiveness, and aesthetics. As such, Bateman et al. (2010) identified that graphics make more attractiveness for audiences, who can enjoy the information and aesthetics affecting comprehension, recall, and retention.

The usefulness of the eight infographics included: useful data, increasing and promoting audience awareness of Patum’s culture, and the ability to promote Patum village as a learning resource and tourist destination. Audiences provided that using five out of eight infographics (Topics 2, 4, 6, 7, and 8) were extremely satisfying. Meanwhile, three out of eight infographics (Topic 1: Patum travel, Topic 3: 182-year-old Ficus drupacea: Tree of Patum’s belief, and Topic 5: Twelve-month festivals of Patum’s people), were highly satisfying. These were confirmed and in accordance with Ashman and Patterson (2015)’s claim that infographics are useful for business communication and information services, and in particular, can be adapted to tourism promotion. Significantly, an information designer and developer should rely on the reliability of information, completeness, flexibility, comprehension, conciseness, and verifiability.

6.1. Conclusions

Infographics are a powerful tool for providing information in many industries. They can attract people’s attention and cognition in a short time. Nowadays, infographics can be disseminated in a variety of formats and channels which are easily accessed and engaged with by the target audiences. Based on the infology theory and message design process of Pettersson (2014), it is essential to emphasize the intellectual and practical work involved in handling data and design. Researchers in this study need to be aware of factors such as information reliability, completeness, flexibility, comprehensibility, conciseness, and verifiability. Furthermore, the cognitive principle focusing on facilitating attention, perception, mental processing, and memory was selected as a foundation, which gave directions to the researcher for developing eight infographics by integrating data, information, and visuals suiting the purposes and target audiences. Moreover, the four processes of message design approach informing the infographics were created systematically and thoroughly before launching to the target audiences.

The eight infographics of this study can be proof that they can be used effectively for promoting Patum village as a learning resource and cultural tourism destination. They might be tailored to the recognition of Patum village in the near future that can affect the area’s development in particular other learning resources and tourist destinations benefiting Patum people’s incomes. Furthermore, the knowledge from this study can provide a foundation for further research in information science and related fields.

6.2. Limitation

Simple random sampling was used to select the participants of the survey questionnaires for investigating values and satisfaction of using the infographics. The responses of all purposed were from the same respondents, which mostly were students and local people. The views and opinions of them absolutely fit the purpose of promotion of Patum village as a cultural learning resource. However, in terms of promoting the area as a cultural tourist attraction, this study does not specify tourists or cultural tourists as respondents. Therefore, it would be optimal for better insight if the researcher can collect more information from the views and opinions of tourists or cultural tourists specifically.

6.3. Recommendations