Abstract

A Strategy of Sexualization in Criticism of the early Modern Korean Poetry ― Focusing on Early Poetic Criticism of Kim, Hyun and Kim, Yoon-Sik The latter of the 1960s, there were many critic discours which described poetry during the early Japanese Imperialism as rhetoric of female. What those kinds of critic discours were produced on that period of all others is the effect of the discours made in 1960's, and the strategy of the making discours. In the cass of Kim-Hyun's criticism about 1920's sentimental poetry, feminity includes the negative status in the type of hierarchical dichotomy in gender. These idea of feminity is applicable to generation of 1960's to overcome the generation of 1950's and make clear of their own identity. It is possible to go through with their work by an analogy the literature tendency of 1950's and that of 1920's. In the case of Kim, Yoon-Sik, the alterity of feminity are accepted positively. Though the feminity is excluded as chaos and death normal, it is the only one which can resist the fascism as the type of masculinity, And it is the objective correlative which can hold the aesthetic value of the early modern poetry. He could solve the problem in the project to describe the independent history of literature by grant admission to poetry which had been devaluation. In conclusion, they constructed each their literary identity by including gendered strategy in their critic discours.