ISSN : 1225-6706
Recent activism and studies are seeing an increased use of the terms, enclosureand commoning, in entangling the relationship of physical displacement and normativecontrol of urban spaces and galvanizing practices. Taking the conceptual lensof enclosure and commoning, this study looks at a case of Takeout Drawing, anindependent artspace/café in Seoul. Diverse artists, cultural activists, and researchersgathered to combat forced eviction attempts by the landlord in 2015, labeling itas gentrification. This study is based on a 9-month long militant research in thefield and on media representations of the unfolding events. Findings suggest thatthe public perception embodies more than a mere spectator’ position, leading toauthoritarian legalism to judge and justify violence. Takeout Drawing attemptedto broaden their struggle to include shared concerns of those deprived of their rightsin current urban crisis. ‘Disaster’, ‘refugee’, and ‘great asylum’ are symbolic languagesTakeout Drawing used to create ruptures in the current power relations. In conclusion I argue that the uneven boundaries of ‘actually existing urban commons’are negotiated by ceaseless insurgencies, allowing re-imagination on cities ascollectively produced commons.
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