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Feminism and Korean Literature / Feminism and Korean Literature, (P)1229-4632; (E)2733-5925
2005, v.0 no.14, pp.123-145
PARK, HYE-SOOK
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Abstract

Tendong-Eumi Whajeonga(덴동어미화전가) is one of Kyubang-Kasa(규방가사), and it shows best level of Kasa in the late Yi Dynasty in its reflection of reality and quality of literature. The life history of Tendong-Eumi has a great meaning in the text, and it has relation with the scene of women's flower viewing in the spring. So it has not only individual meanings but also group meanings. And the women's sympathy and solidarity have a great role in the text. The women's sympathy and solidarity make this text have special aesthetic atmosphere. It shows 'han(恨)' and 'sinmyoung(신명)'. Owing to the women's sympathy and solidarity, this text can be different from the other Kyubang-Kasa texts in its feminine identity. The feminine identity in the Tendong-Eumi Whajeonga is active and full of life.

keywords
Tendong-Eumi Whajeonga(덴동어미화전가), Whajeonga(화전가), Kyubang-Kasa(규방가사), sinmyoung(신명), 덴동어미화전가, 화전가, 규방가사, 신명

Reference

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(1992) 운명의 얼굴과 신명,

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(1992) 여성문학의 시각에서 본 ‘덴동어미화전가’, 인제대학교

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(1991) ‘덴동어미화전가’의 세계인식과 조선후기 몰락하층민의 한 양상 고려대 국어국문학연구회,

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(1999) 한국고전여성작가연구, 태학사

Feminism and Korean Literature