바로가기메뉴

본문 바로가기 주메뉴 바로가기

logo

  • KOREAN
  • P-ISSN1229-4632
  • E-ISSN2733-5925
  • KCI

Journalism and Women writers' appearance

Feminism and Korean Literature / Feminism and Korean Literature, (P)1229-4632; (E)2733-5925
2005, v.0 no.14, pp.89-119
KIM YEONSOOK

Abstract

This thesis features journalist-writers in 1920th and 1930th. It points out the real lives of women at that time; more and more women were getting the modern education. And newspapers dealt with the lives of those who were called 'New Women'. And also, there appeared a group of women readers. In concrete, women writers in the 20th and 30th made an appearance having more systematic base than before. Modern systems such as schools and journalism were their major channels to the public. Then, they learned writing and reading in schools and journals as social fields. In particular, journalism played a key role to spread learning. However, despite women's this changed status, most of women journalists were in sales and worked at the limited or gendered area. Nevertheless, it is significant that some women journalists became writers. Jeonghee Choi and Gyewol Song were two models of those who struggled to survive their male-centered society and inscribe their name into it even if they suffered from being considered incompetent writers or cowards serving the male power. That is because while men's status as journalist-writers was rather stable, women' as journalist-writers was not. Of course, men writers have difficulty in making enough money to feed and clothe their family. They were even guilty of writers' immoral behavior under the colonization. Naturally, these men writers have been evolved and esteemed as modern authors in the Korean literary history. In comparison, women writers made their every efforts so as to survive the male-centered society and identify themselves as writers in their own society.

keywords
woman journalists, woman writers, journalism, feminine writing, gendered field, female identity., 여기자, 여성작가, 저널리즘, 여성적 글쓰기, 젠더화된 공간, 여성적 정체성

Reference

1.

김동인, (1927) 딸의 업 을 이으려-어떤 부인기자의 수기」,

2.

이태준, (19351988) 애욕의 금렵구」, 서음출판사

3.

이태준, (19421988) 행복에의 흰 손들」, 서음출판사

4.

김민정, (2000) 1930년대 문학적 장의 형성에 대한 고찰, 일지사

5.

김양선, (2004) 여성 작가를 둘러싼 공적 담론의 두 양식 - 공개장과 좌담회를 중심으로, 민족문학사연구

6.

김연숙, (2004) 여성작가가 된다는 것 그를 둘러싼 소문과의 쟁투, 월인

7.

김옥란, (2004) 근대 여성 주체로서의 여학생과 독서체험, 상허학보

8.

물망초, (1933) 문화전선의 기수-부인긔자의 생활,

9.

민병철, (1933) 여류문사에 대하야 - 동지 안함광군에게 보내는 일편서신」,

10.

박금옥, (1987) 일간신문 여성가정난과 게이트키퍼 연구」,

11.

(2004.10) 식민지 치하에서 작가가 된다는 것,

12.

(1936) 여류작가 좌담회」,

13.

(2004) 문단의 여류와 여류문단 , 소명출판

14.

(1932) 문예시평 - 두가지 문제를 가지고」,

15.

(1929) 동아 조선 중외 삼신문사 여기자 평판」,

16.

(2003) 식민지에서의 여성과 민족의 문제,

17.

(2002) 임순득 혹은 여성문학사의 재구성, 소명출판

18.

(1939) 노천명의 재기」,

19.

(1928) 엉터리업시 만드러내는 신문기자의 미인제조 비술」,

20.

(1940) 불효기에 처한 조선여류작가론」,

21.

(2002) 1930년대 신문 학예면과 문인기자 집단, 국학자료원

22.

(2003) 1930년대 신문학예면과 모국어 체험, 한국어문교육연구회

23.

(2003) 근대의 책읽기, 푸른숲

24.

(1927) 최은희씨와의 회견기」,

25.

(1993) 한국여성사정립을 위한 여성인물유형연구 Ⅲ」 이화여대한국여성연구소,

26.

(1932) 조선신문잡지의 부인기자열전」,

27.

(1927) 흥미잇는 부인기자」,

28.

(1933) 여류작가 군상」,

29.

(1996) 婦人 家庭欄こと始め, 靑蛙房

30.

(1996) ジェンター からみた新聞のうら おもて, 現代書館

Feminism and Korean Literature