바로가기메뉴

본문 바로가기 주메뉴 바로가기

logo

Caring Cuteness: Clumsy-but-Cute Bear Cover Dance and Queer Intimacy

Feminism and Korean Literature / Feminism and Korean Literature, (P)1229-4632; (E)2733-5925
2020, v.0 no.50, pp.115-141
https://doi.org/10.15686/fkl.2020..50.115
Kim Kyungtae
  • Downloaded
  • Viewed

Abstract

This article focuses on the way which ‘bear cover dance teams’ perform cuteness covering girl groups’ dance. In gay community, ‘bear’ generally means big gay men who are overweight. Recently, the young bears in several East Asian countries made their own cover dance team to copy K–pop girl groups’ dance moves, record them and upload the videos onto Youtube. The cover dance is considered as both the bears’ subculture and their identity performance localized on East Asian countries, in line with globally spreading cover dance videos on Youtube and tending to make the cover dance teams specialized based on K–pop idol fandom. While the mandatory cuteness of K–pop girl groups is related to the commodification of women’s bodies, bear cover dance looks clumsy in aesthetic perspective but pursues childlike cuteness according to affective requirement of caring, which also is called ‘caring cuteness’ as kind of queer intimacy.

keywords
케이팝, 걸그룹, 커버 댄스, 귀여움, 돌봄, 베어 하위문화, 아시아 베어다움, 퀴어 친밀성, K–pop, girl group, cover dance, cuteness, caring, bear subculture, asian bearness, queer intimacy

Reference

1.

요모타 이누히코, 장영권 역, 『가와이이 제국 일본』, 펜타그램, 2013, 139-140쪽, 144-145쪽.

2.

Cole, Shaun, “Hair And Male (Homo) Sexuality: Up Top And Down Below”, eds., Geraldine Biddle-Perry and Sarah Cheang, Hair: styling, culture and fashion, London: Berg Publishers, 2008, p.90, p.93.

3.

Halberstam, Judith, Queer Art of Failure, Durham and London: Duke University Press Books, 2011, p.11.

4.

Kim, Gooyong, From Factory Girls to K–Pop Idol Girls: Cultural Politics of Developmentalism, Patriarchy, and Neoliberalism in South Korea’s Popular Music Industry, London: Lexington Books, 2018, p.39, p.62, p.69.

5.

Oh, Chuyun, “The Politics of the Dancing Body: Racialized and Gendered Femininity in Korean Pop”, ed., Yasue Kuwahara, The Korean Wave: Korean Popular Culture in Global Context, New York: Palgrave Macmillan, 2014, p.63.

6.

Oldstone-Moore, Christopher, Of Beards and Men: The Revealing History of Facial Hair, London: University of Chicago Press, 2017, p.268.

7.

Ulaby, Neda, “Roscoe Arbuckle and the Scandal of Fatness”, eds., Jana Evans Braziel and Kathleen LeBesco, Bodies out of Bounds: Fatness and Transgression, Berkeley and Los Angeles: University of California Press, 2001, p.156.

8.

Whitesel, Jason, Fat Gay Men: Girth, Mirth, and the Politics of Stigma, New York: NYU Press, 2014, p.44, p.60, p.81, pp.85-86.

9.

Barry, Ben, “Fabulous Masculinities: Refashioning the Fat and Disabled Male Body”, Fashion Theory, Volume23, Issue2, 2019, pp.275-307.

10.

Cheok, Adrian David and Fernando, Owen Noel Newton, “Kawaii/Cute Interactive Media”, Universal Access in the Information Society, August 2012, pp.12-22.

11.

Kang, Dredge Byung’chu, “Surfing the Korean Wave: Wonder Gays and the Crisis of Thai Masculinity”, Visual Anthropology, 31:1-2, 2018, pp.45-62.

12.

Puzar, Aljosa and Hong, Yewon, “Korean Cuties: Understanding Performed Winsomeness(Aegyo) in South Korea”, The Asia Pacific Journal of Anthropology, Vol. 19, No. 4, June 2018, pp.333–349.

13.

Sherman, Gary D. and Haidt, Jonathan, “Cuteness and Disgust: The Humanizing and Dehumanizing Effects of Emotion”, Emotion Review, 3(3), 2011, pp.245-251.

Feminism and Korean Literature