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Rhetoric of Body and Aesthetic of Masculinity - Centering on Jeong, Bi-Seok's Novel in the latter Japanese Imperialism -

Feminism and Korean Literature / Feminism and Korean Literature, (P)1229-4632; (E)2733-5925
2005, v.0 no.14, pp.251-275
Min-Ju Han
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Abstract

The purpose of this thesis is to revel a Pattern of Dominate of Masculity and the Political Unconscious through representation as Rhetoric of Body. Sexuality have been controled Fascism Ideology. Fascism Ideology is connect with sexuality and gender. Therefor, this thesis focuses on examining over a debate about fascism during the latter Japanese Imperialism and next try to study the relation of Ideology and Jeong, Bi-Seok's works. Jeong, Bi-Seok's early work has brought out healthy eroticism based on primitive lyricism. Generally, our Pure Literature was criticized to be excluded and written about folkloric fusion with nature only to seek after beauty which is essencial to art rather than protest against Japan's colonial oppression as a whole. Jeong Bi-Seok not only strengthened but also cracked the patrical ideology by way of his early medium and long length novels <The Prohibition Vally>(1939), <The three generations>(1940), and <The Morality of Youth> (1942). Eroticism presented in Jeong Bi-Seok's works were also suggested Male Fantasia. This thesis is to revel these facts as focus on the parts of Body. Specially, this thesis focus on representation of eye. Because, the part of body have a subjectivity as a libido of concentration. The eye in Jeong Bi-Seok's works was becamed an avenue of communication of ‘desire’, ‘crowd psychology’, and ‘passion’.

keywords
신체, 파시즘, 남성성, 섹슈얼리티, 눈, 시각, body, fascism, masculinity, sexuality, eye, visual

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Feminism and Korean Literature